Loading...

Masekela’s Township Grooves

Masekela’s Township Grooves

On the occasion of Bra Hugh’s 81st birthday, the Hugh Masekela Heritage Foundation and Universal Music (South Africa) released Township Grooves, a compilation of Bra Hugh’s homegrown brew released on Friday, 16 May 2020.

Culled from various albums released between 1965 and 1974, Township Grooves is testament to the notion that you can take the boy out of the township, but you can never take the township out of the man. Whether in the early days of his recording career (Hugh Masekela aka Grrr), at the height of his US success (The Promise of A Future, Masekela, Reconstruction) or at beginning of what would evolve into an extended African sojourn (Home Is Where The Music Is, I Am Not Afraid) whatever his stylistic bouquet Hugh always remained from Ekasi.

The cover art harks back to collaborations with such respected artists as Dumile Feni (Home Is Where The Music Is, 1972) and Milton Glaser (Introducing Hedzoleh Soundz, 1973). We are especially enthused to have world-renowned South African artist Nelson Makomo design the cover art for “Township Grooves”.

Your Review

RATING

1819 VIEWS
0 Likes

Share To

Special Correspondent

Special Correspondent

YOU MIGHT ALSO LIKE
RECLAMATIONS, A Virtual Exhibition

RECLAMATIONS, A Virtual Exhibition

RECLAMATIONS revisits the longest running mentorship programme in the history of African photography that continues to support young photographers in realising visions that reflect both the aspirations and disquiet of their communities. Since 2008, the Tierney Fellowship in South Africa has been leading in the identification of emerging talent in contemporary photography.

Masekela’s Township Grooves

Masekela’s Township Grooves

Culled from various albums released between 1965 and 1974, Township Grooves is testament to the notion that you can take the boy out of the township, but you can never take the township out of the man.

Makhathini’s Letters from The Underworld

Makhathini’s Letters from The Underworld

After experiencing Makhathini's powerful set at NYC Winter Jazzfest in January, Stereogum jazz critic Phil Freeman wrote, “He’s got an album coming out on Blue Note and I can’t wait for people to hear it, because it’s tremendous music. As a player and a composer, he sits right beside McCoy Tyner and Pharoah Sanders, playing a forceful but lyrical style of modal jazz that incorporates African rhythmic concepts

comments
Go to TOP