Loading...

Leeto: A Sam Nhlengethwa Print Retrospective

Leeto: A Sam Nhlengethwa Print Retrospective

Leeto: A Sam Nhlengethwa Print Retrospective surveys the print work of renowned artist Sam Nhlengethwa from 1978 to 2018. Leeto is a seTswana/seSotho word for ‘journey’ and, as the word suggests, the exhibition explores the ongoing artistic footsteps of Nhlengethwa.

Nhlengethwa began his career in 1976 during one of South Africa’s most tumultuous socio-political eras. In 1978, he completed a two-year diploma at the Evangelical Lutheran Church Art and Craft Centre, Rorkes Drift, Kwa-Zulu Natal, where printmaking was a prominent feature in the Centre’s activities. Nhlengethwa’s work spans a variety of mediums from painting, drawing to collage, some of his works have been translated into tapestries. One of his big cityscape works was translated into a mosaic. In addition to all the afore-mentioned mediums, Nhlengethwa has also produced an impressive and sizeable body of printmaking work. He has collaborated with several South African printmaking studios; namely, The Artists’ Press, Artist Proof Studio, David Krut Print Workshop, LL Editions Fine Art Lithography Studio, MK & Artists Print Workshop, Mo Editions Printmaking Studio and Sguzu Printmaker’s Workshop. Since 1994, he has produced 163 prints in collaboration with The Artists’ Press making it his longest standing and most productive affiliation.

His lithographs, linocuts, etchings, photogravures and screen prints tackle various socio-political and cultural experiences. Thus, Leeto highlights this facet of Nhlengethwa’s artistic practice in which printmaking is mobilised for self-expression, collaborations, artistic and intellectual engagements, and a site for conversations with the broader public.

The underpinning theme of the exhibition is jazz. An early influence in Nhlengethwa’s works was the underground township jazz community; Nhlengethwa’s brother was a jazz musician and he began collecting jazz records at the age of 17. Leeto: A Sam Nhlengethwa Print Retrospective draws links between the fluid nature of jazz improvisation and Nhlengethwa’s study of an ever-changing community. Not only is it a recurrent theme in his work and something that Nhlengethwa loves and is inspired by, but jazz begins to articulate the various possibilities for a deeper understanding and reading of his oeuvre.

Asking the question “What else can Nhlengethwa’s images offer us?” the exhibition presents a collection of Nhlengethwa’s print work to be interrogated, his artistic evolution to be mapped out and his personal aesthetics to be interpreted.

About the curator:

Boitumelo Tlhoaele is a Doctoral Fellow at the Africa Open Institute for Music, Research and Innovation (Stellenbosch University) working on the Hidden Years archive project. She is also an independent curator and a former journalist. Her research interests are exploring the intersections between jazz and art, the music and visual archives within the context of curatorial engagements and practices. She holds an MA in Heritage Studies (University of the Witwatersrand).

About the artist:

Sam Nhlengethwa is one of South Africa’s most celebrated living artists and the recipient of the 1994 Standard Bank Young Artist of the Year. His artworks are included in private and public collections including the Johannesburg Art Gallery, Iziko South African National Gallery and Wits Art Museum, the Standard Bank Art Collection, SABC and JCI Gold South Africa. He has also exhibited extensively internationally including France, Cuba, New York, Japan and an exhibition at the Savannah College of Arts & Design in Georgia (USA) and printing workshops at Germany’s Weltkulturen Museum

Wits Art Museum

Corner Bertha (extension of Jan Smuts Avenue) and Jorissen Streets Braamfontein, Johannesburg

Exhibition run: Tuesday June 11 – Saturday August 17

Open hours: Tuesdays to Saturdays 10h00 - 16h00

Tel (Mon - Fri): 011 717 1365
Tel (Sat): 011 717 1358

Your Review

RATING

3696 VIEWS
0 Likes

Share To

Culture Reporter

Culture Reporter

YOU MIGHT ALSO LIKE
Art Biography: Durant Sihlali

Art Biography: Durant Sihlali

Sihlali’s oeuvre challenges us to imagine a history in which large-scale political demonstrations and acts of violence cannot be separated from the way people navigate their domestic rituals and daily lives

Jozi Satire and Comedy Fest

Jozi Satire and Comedy Fest

Speaking on the intended impact of the festival, STAND Foundation board member, Lesego van Niekerk shared; “The youth of 1976 rose up to claim their voices and their future. This weekend festival provides a platform for today's youth to share their insights, their fears and hopes using comedy and satire as their cultural weapons. We live in challenging times - comedy and humour help us to get through these times.”

Ntsako Wa Xibelani

Ntsako Wa Xibelani

Such incidents were not rare; the negative social stereotyping of traditional culture amongst black people goes back to the establishment of the missionaries, a religious, pseudo-colonial undertaking that deemed African culture uncivilized, and demanded Africans do away with their traditional, “sinful”, ways of life in exchange for “virtuous” Western culture and its “superior” education.

comments
Go to TOP