Objects of Desire, Addendum exists as a postscript to Mokgosi’s acclaimed, long-standing visual essay, Democratic Intuition, of which Comrades, exhibited at Stevenson, Cape Town, in 2016, was the second of eight chapters. Comprising painting and sculpture, Democratic Intuition questioned how one can approach the conceptual promises of democracy in relation to the daily lived experiences of the subjects that occupy southern Africa.

Modise Sekgothe's debut EP, released in May 2017, finds its way to stage for the first time. DIPOKO tsa DIPOKO is a solo project that explores the use of one voice as its own instrument, lead and narrator.

So when we say #NotAllMen or try and rationalise the existence of less violent, "better patriarchs", understand that we're essentially gaslighting womxn who are attempting to fight back and survive. We're attempting to convince them that the obvious reality in front of their eyes that is harming them - the very system that is subordinating them via us - is fiction.

Multi award-winning musician Samthing Soweto has become the first local artist to have simultaneous #1 releases on both the Apple Music Singles and Album Charts in South Africa with a Pre-Add release. His latest single Akulaleki (featuring Shasha, DJ Maphorisa & Kabza De Small) is currently topping the singles chart with his forthcoming album topping the Album chart.

Last month I attended a SuperLead Summit hosted and founded by Chief Executive Officer Maanda Tshifularo and Chief Operations Officer Sihle Mbuli. The Summit was themed ‘Building high capacity African leaders’ and it aimed at encouraging young people’s personal and leadership capacity with the end goal being that the young leaders in attendance would work towards making a difference in their societies.

Now the conditions are ripe for self-mutilation and self-destruction and such acts will not implicate the real culprits, whites, who continue to hold on to Black people's stolen legacy, their land, wealth, language and culture.

The incessant eruptions we see in the concentration camps have little to do with xenophobia or influx control. These eruptions are a direct result of our consistent failure (over the past 25 years) to radically address the man-made economic powerlessness of the Afrikan majority.

With a vocal style that is part dreamscaping and part ancestral invocation, Sibusile Xaba divines as opposed to plainly singing. Combined with a guitar style that is rooted in expressive picking, Xaba's music shatters the confines of genre, taking only the fundamentals from mentors such as Madala Kunene and Dr Philip Tabane and imbuing these with a mythology and improvisational intensity all of his own.