The eight-part thriller, of which new episodes land every Tuesday, tells the story of journalist turned publicist Lucy Khambule (SAFTA nominee Nqobile Nunu Khumalo), who is approached by Napoleon, an imprisoned serial killer who wants her to tell his story.

Lift offers lessons on art theft through the manipulation of artwork’s value to influence buyers' perceptions, a manipulation of aviation systems, and the greedy coldhearted folks who can cause natural catastrophes for the sake of money and power.

Pretending to be at peace only creates the nervousness that violence will break that peace, since the peace is formed on illusion. Violence appears as a ghost. It is not truly present at the moment, but it could be present at any moment.

Mbembe argues that violence is circular. It establishes its own authority through itself, is maintained through itself and is revered through itself. The postcolony mirrors the violent relations of the colony precisely because the processes of civil society, democracy and state intervention are preceded by violence.

It prompts one to question the veracity of various other sayings in the series, such as "Iso ngeso" (an eye for an eye). In the absence of supporting evidence, doubts arise regarding the existence of such sayings within the Nguni nation prior to the arrival of the Bible. Did the production team conduct thorough linguistic research to ensure the precision of the language used in the series?

Set to take place on the 27th and 28th of April 2023 at 56 Oliver Tambo Road, Bloemfontein Central, Festival Director Tshiamo Malatji promises an exciting line-up of four South African documentary films.

Ashkal is a visual spectacle, yet so lost in its own philosophy of meaninglessness that it struggles to fully capture its storyline

Freda (2021) weaves a powerful story of withstanding struggle through feminine strength in a Haiti where everything falls apart.