In itself, there is nothing unsuitable with Black America collaborating with African artists to produce commercial products, as is the case with Beyonce’s Black is King, but we must be under no illusion that Black is King is still very much Beyonce’s.

Western films set in Africa are not African films. They make no attempt to represent authentic African stories, are created primarily for Western audiences and in the worst of ways, exploit Africa. Africans can do very little to prevent or alter these films because the economic capital they bring to the region is greater than there being no film at all.

The narrative of the Soweto Uprising of June 1976 is powerful. However, South Africa must invest more energy into expanding that narrative, to include histories across the country during that same period. This is not to undermine the Soweto protests, but to draw even more attention to how they inspired revolt throughout South Africa.