Loading...

Venus vs Modernity

Venus vs Modernity

Venus vs Modernity is an hour-long theatre piece depicting the life of historical icon Saartjie Baartman. Baartman is best known for having been taken from Cape Colony more than 200 years ago and subjected to harrowing abuse while being exhibited as a freak in London due to her ample posterior.

At the peak of her fame in the early 1800s, Saartjie Baartman became a reference point for abolishionists, fashion designers, and political satirists alike. Her remains were dissected and put on display at the French National Museum for 150 years, and in 2002, Saartjie Baartman was finally returned to the land of her birth, the Gamtoos River Valley in the Eastern Cape.

Lebo Mashile, an award-winning author, presenter, producer, and actress is best known for her fiery poetry which has captivated audiences in 26 countries. Mashile has been developing this two-hander production for the past five years with the renowned actress, director, and theatre maker, Pamela Nomvete at the helm as director. Critically acclaimed and multi-award winning poet and playwright Koleka Putuma capably takes over from Nomvete as director for the current run of the play. Mashile co-stars in the play alongside the incomparably talented vocalist Ann Masina who has worked extensively with William Kentridge, Robin Orlyn, and previously with Soweto Gospel Choir.

The work was staged in its infancy in 2017 at the Centre for The Less Good Idea, a multi-disciplinary artistic collaborative space, founded by William Kentridge. In 2018 the work was staged in Cape Town with the support of Design Indaba. Last year, Windybrow Theatre partnered with Mashile to stage the work at Thari Women’s Festival. This relationship has developed even further with the Windybrow Theatre joining hands with the Market Theatre to stage the piece for its first ever full run for public audiences.

The piece fuses spoken word, poetry, dialogue, and music across genres to recreate the life of Saartjie Baartman through two characters, Saartjie and Venus. While the events that are depicted are historically accurate, the inclusion of Venus, a tempestuous, passionate, and formidable goddess, allows the piece to delve into a fictionalized inner world for Saartjie Baartman.

The piece is as humorous and entertaining as it a gut-wrenching and tender. It is a character driven, emotional journey driven by two formidable performers and a host of talented, experienced creative women who have worked on this piece throughout its development. No stranger to the theatre, Venus vs Modernity marks Lebo Mashile’s first foray into penning a full-length theatrical piece. From this run at the Market Theatre, the production travels to Amsterdam, Holland for Afro-Vibes Theatre festival taking place from 3-13 October

PRODUCTION INFORMATION:

Written and Conceptual: Lebo Mashile
Director Koleka Putuma:
Sound Technician: Mthuthuzeli Ndlebe
Stage Manager: Lebeisa Molapo

Performers: Anne Masina: Venus Lebo Mashile: Saartjie

Duration: 90 minutes
Age Recommendation 16 years
Season: Thursday 12 – Sunday 27 September 2019
Venue: The Barney Simon
Performance times:Tuesday – Saturday @20h15 and Sunday @15h15
Ticket prices: Tuesday – Sunday R90.00 - R150.00
Student Prices: R70.00

Your Review

RATING

3704 VIEWS
0 Likes

Share To

Culture Reporter

Culture Reporter

YOU MIGHT ALSO LIKE
No Borders Exhibtion & The Hugh Masekela Lecture Ahead Of Festival

No Borders Exhibtion & The Hugh Masekela Lecture Ahead Of Festival

At 7pm on Friday the 8th of November the Hugh Masekela Annual Lecture will take place at Soweto Theatre. Dr Lindelwa Dalamba speak on the topic of Bra Hugh’s album Colonial Man: A musical critique of Imperial Colonialism. Dalamba teaches music history at the University of the Witwatersrand's School of Arts, Department of Music. She is an historian of South African jazz, focusing on its trajectory in South Africa and in exile (particularly in Britain) during apartheid.

Basha Uhuru Creative Uprising Festival

Basha Uhuru Creative Uprising Festival

“The Creative Uprising has been scaled to support our creative community most affected by the current COVID-19 crisis, and has grown into an always-on programme not just the three-day festival,” says Constitution Hill CEO – Dawn Robertson.

Patrick Bongoy reinvents the wheel in Matter

Patrick Bongoy reinvents the wheel in Matter

Matter draws out the history of rubber as a precious natural resource and its relationship to the colonial past of the DRC and its afterlives. The works reflect on the violent exploitation of labourers who harvest the material, as well as environmental damage that has occurred as a result.

comments
Go to TOP