Loading...

Bafo, Live at Untitled

Bafo, Live at Untitled

Untitled Basement is honoured to host the legendary Madala Kunene for two nights on the 21st and 22nd of November 2019.

Madala Kunene (Bafo), commonly referred to as the king of the Zulu guitar, lives in a house in the middle of a newly gentrified suburb just outside of Durban in the South African province of KwaZulu-Natal. He is often described as an Mbaqanga or Maskandi artist—something he personally hates. Kunene is an artist who is constantly shifting between musical habitats. He has no interest in genre specifications and prescriptions. Instead, his brand of blues operates in an opaque space where cool Jazz, Maskandi, Mbaqanga, and a myriad of East Coast blues intersect.

“Music that’s one-dimensional never connects with people,” Kunene says.


“I grew up listening to a lot of Duke Ellington and The Beatles. Even then, I realised that this music was from elsewhere but that it also had bits and pieces and sounds that I could recognise from my own life. And that was liberating because it allowed me to merge things from different sounds that I liked, giving me ownership of that process.” This merger of sounds is something Kunene has dubbed “The Madalaline.”

Kunene is best known for his 1995 debut album Konko Man.

“It was an expression of how I was at the time and my views on a lot of things. I am surprised by how people still look to that album as a blueprint for my sound,” he says.

Konko Man sounds and feels like both the start of something (post-Apartheid feelings of isolation) and the end of 1980s Zulu throwaway pop. It’s also the most powerful record in Kunene’s recorded discography. It’s the kind of album that tends to come out when a musician has spent years preparing for it.

There’s more to this legendary story than the text can describe, and this location is too short to speak on complexities and nuances that is manifested when Madala Kunene performs.

Book tickets at Quicket.co.za

Your Review

RATING

1337 VIEWS
0 Likes

Share To

Culture Reporter

Culture Reporter

YOU MIGHT ALSO LIKE
Slaghuis II

Slaghuis II

Slaghuis II is a search for what it means to be marked by violence. Slaghuis is an Afrikaans word for a literal place of slaughter and a vernacular expression for a place of violence that had come to identify the tavern where Hlatshwayo grew up. He transforms the familiar spaces of home and tavern into places of making that takes up violence as a visual language.

Modes of Communication: Letters From The Underworlds

Modes of Communication: Letters From The Underworlds

Following his standout performance at NYC Winter Jazzfest earlier this month, the visionary South African pianist and composer Nduduzo Makhathini has announced an April 3 release date for his Blue Note Records debut Modes of Communication: Letters from the Underworlds, an expansive album anchored by Makhathini’s expressive piano in which lyrical, plaintive horns mingle with percussion, pained yelps and urgent lyrics. The album is available for pre-order on CD and digital formats.

Mandela Is Dead – Nomashenge

Mandela Is Dead – Nomashenge

Now that Nelson Mandela is no longer here, is it not time to have the difficult conversation with the white settler minority? To what extent should we still hold on to the dream of non-racialism when the minority has made it clear that they do not regard Blacks as equals and would never subject themselves to the rule (economically and otherwise) of the African majority.

comments
Go to TOP