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“We fight Rhodes because he means so much for oppression, injustice, & moral degradation to South Africa - but if he passed away tomorrow there still remains the terrible fact that something in our society has formed the matrix which has fed, nourished and built up such a man.”
When I was at it, ‘keeping it real’ was the nuts and bolts of being an artist. I understand Sho Madjozi wants to market her material on that street cred farm by any means necessary but the truth is she comes from a privileged background.
Imagine if your partner cracked a joke during your passionate lovemaking; that joke came when you were enjoying those tingling beautiful sensations that are a gateway to explosive orgasms. Would you laugh or chuckle or ignore the joke altogether and continue with the sex?
Chigozie Obioma’s debut novel, The Fishermen, which was shortlisted for the Man Booker Prize in 2015, will be directed for the stage by James Ngcobo in what will certainly go down as one of this year’s most compelling and supreme pieces of theatre.
The Basha Uhuru Freedom Festival not only showcases art, design, film, poetry and music, but it also provides inspirational workshops and entrepreneurial support programmes for young creatives. The exciting programme kicks off with art and talks on Thursday and carries on with a film and poetry programme till Saturdays music finale.
Shimza is known for hosting some of the biggest events in Mzansi and getting the rest of the world dancing. The Tembis native will be returning for his One Man Show: Soweto Edition which promises to be an exuberant journey! The One Man Show: Soweto Edition will take place at Zone 6 Venue in Soweto on Saturday, 29 June 2019.
Looking at a photograph is about listening and then looking. One has to listen to what the photograph wants to say before imposing anything on it. It is about how the ear catches the whispers and shouting that escape beyond the edges of the frame. It is about staring at what is there, what is not there, what could be there, what needs to be there.
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