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“We fight Rhodes because he means so much for oppression, injustice, & moral degradation to South Africa - but if he passed away tomorrow there still remains the terrible fact that something in our society has formed the matrix which has fed, nourished and built up such a man.”
The race war of conquest since 1652 should be foregrounded because the law is an extension of this war by other means, such as the settler constitutions since 1853. The fundamental significance of the Afrikanist-War-Studies paradigm lies in its ontological focus on white settlers as the fundamental problem, as opposed to their institutions of war, such as law.
After a successful run at AFDA Red Roof Theatre, the critically acclaimed two-hander Poet-O-Type written by prolific Standard Bank Young Artist Award for Theatre recipient (2020) Jefferson ‘J.Bobs’ Tshabalala is making a return to the Market Theatre stage.
As South Africa celebrates 30 Years of Democracy, and 30 years in music it's only fitting to share the partners and communities that will help bring the full Africa Rising Music Conference (#ARMC2024) experience of life on the 27th and 28th of May at Newtown Junction in Johannesburg
The upcoming elections in South Africa in 2024 are unlikely to serve the interests of the people. Instead, they are poised to benefit the capital bosses. This assertion can be understood through a Gramscian-Marxist analysis, which highlights how the ruling class maintains its power and control over society.
The longer Madala remained in his worried state, the more urgent my curiosity became. This led to a barrage of questions, asked in polite yet searching tones: Were his books ready? How many? Had he managed to find transportation?
Following the underground success of their self- funded debut album, Queernomics, the newly monikered S’BO GYRE has broken into the mainstream music arena with his latest offering – Altar Call.
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