The production tells the story of the community of Ha Satane, a fictional township plagued by unemployment, poverty, and crime. Salvation seems to come in the form of a new priest, whose charm masks his sinister motives.

I am still fascinated by how fluidly the varied chaos ensues throughout the play – layered quarrelling, spirited dancing, momentary alliances formed (and destroyed) through laughter, capsizing dishes, confusing weather conditions, unexpected illness and some unconventional making-up and reconciliation.