Part 3 of the Zondo Report Focuses on BOSASA
At last the much anticipated third and final Zondo report was released this month, what follows is a pithy summary of its contents.
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At last the much anticipated third and final Zondo report was released this month, what follows is a pithy summary of its contents.
his body of work is presented through lithographic prints, wallpaper and newsprint across the space. These materials are tests for the artist to consider how photography can be experienced in a different way in order for it to create an exhibitionary affect.
A predominately anti-Black big business that thrives on underhand ‘mass employment’ and super-exploitation of Black political and economic immigrants to cut the cost that comes with both the employment of South African citizens and the proper employment of political and economic immigrants.
The hegemony of multiculturalism and nonracialism both in “South Africa” and around the globe accounts for the dominant manner in which ideas such as heritage and humanity are interpreted.
Recognizing her immense and distinctive talent, Simphiwe will be creating a new offering, MOYA. In this undertaking, Dana seeks to offer her audience a new experiential journey as she weaves her message through a story being told through the acapella roots of her music and the spiritual call there is in it.
The new album is a companion piece to the larger cultural memory work of Somi's original play, Dreaming Zenzile, which is based on the life of Miriam Makeba and will open Off-Broadway in New York City in June 2022 after touring across theaters in United States since Fall 2021.
Translating from Hausa as ‘tales’ (folk or fairytales), Tatsuniya centres improvisation, childhood and colloquial methods of self-development. Across these video works and photographic images, students are seen playing in scenes choreographed during collaborative workshops.
In as far as our locale in South Africa is concerned, as it stands the status quo of South Africa’s mainstream curriculum, pertaining to the subject of history, from the basic education level (namely from Grade 10 to 12) until undergraduate tertiary level, continuously renders pioneering leading figures such like AVK as perpetually invisible.
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