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Cecil John Rhodes: British Empire Hitman

Cecil John Rhodes: British Empire Hitman

“We fight Rhodes because he means so much for oppression, injustice, & moral degradation to South Africa - but if he passed away tomorrow there still remains the terrible fact that something in our society has formed the matrix which has fed, nourished and built up such a man.”

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Dudu Myeni: A Litmus Test for SA Black Feminism

There is a political contest between the forces of the ruling elite and their appendages who are heading the state against the working class, which in this case is the only voice that can counter rampant neoliberalism of privatization of state owned enterprises. This contest is also carried out in the terrain of the ideological state apparatus wherein the media, radio, newspapers, bourgeois academics all echo the sentiments that Dudu Myeni plunged SAA into a financial abyss.

Is Isphithiphthi a Classic?

“Isphithiphithi is an album for those who listen more than just entertainment value. The AmaPiano songs on the album achieve the purpose to ruminate and remind both us and those who will come after us of the musical zeitgeist of 2019, of just how important in our current popular cultural life AmaPiano is.

Chronicles of a Christian who Reads

Christianity is a big player in the business of interpretation. In precisely this way, it is generative of hegemonic interpretative schemas. Prayer, for starters, can no longer be imagined outside its lingo. Secondly, any appeal to the world of spirit is now bifurcated into God and demons. Devils are black, Angels are white.

The Queens Fortress – On Navigating Black Womanhood

“I hold the doorknob and I take a breath before I open the door to the world, and the minute I open, the flood comes in, and suddenly I am fighting the waves,” is how medical doctor and esteemed poet Thandokuhle Mngqibisa describes her experience in the body of a Black woman in this country.

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