For starters ‘South Africa’s history, precedes the fifteenth century. Details of the latter will be herein omitted because their superfluous for this paper’s core interest, of founding incidents that led to origins of ‘South Africa’. Conflicts birthed ‘South Africa’, dating back (as paraphrased from South Africa’s then deputy President Thabo Mbeki’s ode, to his predecessor) to the “first moment of black anti-colonial struggle” (Johnson, 2009:123) in the Battle of Salt River on 1st March 1510 .

It may be argued that both advocates and critics alike of Pan-Africanism, stand to studiously benefit, from this latest offering concerning the theme of Pan-Africanism, which has meticulously been edited by Adekeye Adebajo

: “Michelle Nkamankeng initially showed interest in reading, at the tender age of four. Then from five years on, she progressed from an avid reader to an avid writer,” writes Dr Tshepo Mvulane Moloi

The Market Theatre’s Amazwi Mphahlele Exhibition rekindles Es’kia Mphahlele vintage works amid a wider transformation of South Africa’s cultural return to its indigenous roots, writes Dr Tshepo Mvulane Moloi.

27 years into South Africa’s democracy, one shudders about the National Party’s (NP) past obsession (after their 26 May 1948 election victory) under their dour leader Dr. Daniel Francois (DF) Malan. Their malicious imposition of ‘Apartheid’ as their official government policy, crudely endorsed ‘institutionalized racism’.