MAGAZINE
Umgidi Ensemble was Ndabo Zulu's recent master's project at the Norwegian music Academy; this project aims at looking at what could be a possible orchestration of a Nguni orchestra. Like in a western symphony orchestra which comprises of instruments that have a huge traditional significance to the west, the ensemble aims at assembling both conventional and Nguni traditional instruments that will complement the compositional content.
Read MoreKwaito music is inescapable in this Mzansi. It is ours. A creation that was and continues to be authored by the Black Lived Experience, and it engages Black Life. In Kwaito, we have a national treasure. A monument to the Township, and to Black Life.
Read MoreMatter draws out the history of rubber as a precious natural resource and its relationship to the colonial past of the DRC and its afterlives. The works reflect on the violent exploitation of labourers who harvest the material, as well as environmental damage that has occurred as a result.
Read More“Jazz musicians and their audiences are feeling the decline of Jo’burg City’s iconic jazz circuit and it is imperative to create new spaces where artists can let their riffs run wild and audiences can revel in the sound.
Read MoreThe compelling double bill comprising Florence and Wine in the Wilderness, make their South African premiere at the Baxter and they have been carefully chosen to pay tribute to the evolving black woman who should not be defined by a single, limited image or narrative.
Read MoreAfrica is home to many legendary folk tales that have laid foundation to many cultural teachings. Even though these folk stories differ from each culture, there’s always a common thread that is similar and relatable. Through Tshepang’s new EP, audience are reintroduced to authentic folk stories told his in native language SEŠATE (Sepedi).
Read More