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CULTURE Review

MAGAZINE

Articles written by Culture Reporter

The 13th letter – A Manifestation of Self

When I started pyrography in 2015, I gravitated towards images of women I found relatable. I chose images of women whose facial and emotive attributes spoke to me. The feelings evoked by the images were more than a mere double-tap, I felt a connection to them that seeped into my craft.

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Unlearn – The Return

“Unlearn is a story about a complex layered young woman who, after a night of euphoric freedom and an unexpected turn of events, decides to make a choice that would spiral into a frenzy of questions about what really happened? It was very important for me to explore the notion of warped time and the unending knock-on effects that circulate in ourselves and those around us when we don't deal with the mental, behavioural and environmental issues that often times we don't have names for.

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Azanian People’s Liberation Army

“The APLA Day anniversary is one of the most memorable in the annual Africanist calendar. On this day we honour the fallen heroes of the Struggle, including the many Poqo combatants who were hanged by the settler regime. It is a great tragedy that many of the veterans who served and sacrificed for freedom are today socially and economically indigent.

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Yenza Kwenzeke

The 2019 edition pays homage to the spirit of spaces, projects, platforms, and patrons that play a vital role in supporting artists and curators who would otherwise have no access to the art world or opportunities to critically reflect on their practices and changes within the larger cultural landscape.

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Women in Photojournalism

The event will also honour South African photojournalist, Shiraaz Mohamed, who was kidnapped in Syria and kept in jail against his will since January 2017. October marks 1 000 days since Mohamed has been held under captivity. Mohamed is one of South Africa’s most respected photojournalists, community media practitioners and Market Photo Workshop alumnus.

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Venus vs Modernity

At the peak of her fame in the early 1800s, Saartjie Baartman became a reference point for abolishionists, fashion designers, and political satirists alike. Her remains were dissected and put on display at the French National Museum for 150 years, and in 2002, Saartjie Baartman was finally returned to the land of her birth, the Gamtoos River Valley in the Eastern Cape.

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Objects of Desire, Addendum

Objects of Desire, Addendum exists as a postscript to Mokgosi’s acclaimed, long-standing visual essay, Democratic Intuition, of which Comrades, exhibited at Stevenson, Cape Town, in 2016, was the second of eight chapters. Comprising painting and sculpture, Democratic Intuition questioned how one can approach the conceptual promises of democracy in relation to the daily lived experiences of the subjects that occupy southern Africa.

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