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Tshiamo Malatji

Necropolitics & Horror — Review of Nope

The extended theme running through Nope is predation. Peele presents the concept of a predator as a seemingly unstoppable force untamable by nature, creating clear rules for how predators operate. Don’t challenge them by looking them in the eye. Don’t hold them in captivity. Make deals with them to survive.

A New Space to Scream

Despite being one of South Africa’s largest cities, Bloemfontein is not known. The people who control industries in the city want it that way. They keep it silent. A cemetery with streetlights. But art is the evidence of life. It pulses and noises.

The Magic of Matwetwe

Set in Atteridgeville, what audiences might appreciate from Lediga’s film is its inclusion of social issues, like gang violence and the drug trade. The film could, however, benefit from more nuanced portrayals.

Afrofuturism & Reality in Nuotama Bodomo’s Black African Cinema

The dangers of this kind of futurism is the placation of real histories in favour of pleasant depictions of Blackness. This risk is amplified by collective ignorance of the histories that futurist reinterpretations are based on.

African Anarchism Series — Who Owns This Tree?

Anarchism is a challenge to us all, to change the ways in which we live. To abandon the desire to give more money to banks and capitalists, and instead to build up our communities. We are not owners of property.

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