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Tshiamo Malatji

Long Read: Mbembe's Postcolony

Because Africans are considered objects, they are forced into labour to become producers of wealth for the colonisers. (pg 28) Being an animal meant the colonised lived for the uses and pleasures of the colonisers. This also created a relationship of domestication, where the coloniser perceived the colonised as something to be groomed and given “affection”.

REVIEW: Seriously Single

Ultimately, an enjoyable romantic comedy still needs to be full of some essence, whether traditional or subverted. Film still needs something to say, even when it wants to speak absurdly. Seriously Single is a film that shows discordance and tells emptiness -- and not deliberately.

REVIEW: The Forgotten Kingdom

The film oscillated between rapid city shots and gradual rural scenes. This displays the rush of the city against the calm of the village. The city presents many dangers, violence and struggle. The life in the city is in constant motion, at work, in transportation, selling livestock in markets, moving in the buzz of capitalism and drudgery. The village is a community, occupied by cooperation and collectivism. The funerals of strangers are attended by people from far and help is always available to those that need it.

Flatland Review: A Flat Attempt

The film follows three women. Beauty Cuba (Faith Baloyi) is a police captain trying to clear her lover’s name from a crime she suspects he did not commit. Natalie Jonkers (Nicole Fortuin) reprises an uncertain newly-wed who runs away with her reckless friend, Poppie van Niekerk (Izel Bezuidenhout). Sometimes, the story is coherent. But often, it feels forcefully dramatic and uncomfortably disjointed.

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