MAGAZINE
Through the reading festival; The Writers Lab in association with DiArtskonageng are offering South African writers an opportunity to be published. The Writers Lab was founded with a range of objectives, one of which is to (re)write our history by invoking the latent talents of young and old writers alike.
Again we might have to look at Maphanga’s artwork for one last time, bearing in mind that Mandela and South Africa are represented to mean the same thing. In the absence of a working title let’s call it Amandel’Afrika, referring to both the artwork and the synonymous relationship between Mandela and South Africa as depicted by Maphanga.
At 7pm on Friday the 8th of November the Hugh Masekela Annual Lecture will take place at Soweto Theatre. Dr Lindelwa Dalamba speak on the topic of Bra Hugh’s album Colonial Man: A musical critique of Imperial Colonialism. Dalamba teaches music history at the University of the Witwatersrand's School of Arts, Department of Music. She is an historian of South African jazz, focusing on its trajectory in South Africa and in exile (particularly in Britain) during apartheid.
Eldridge was reported to be a homeless man who worked at times as a hotel clerk, and was employed to mind the creature despite his lack of qualification and experience. Conflicting accounts converge on the central narrative that he was killed during a parade by an enraged Mary, after he prodded her behind the ear with a hook, as she reached down to nibble on a watermelon rind.
On numerous occasions some of us have made a call for pan Afrikanist/Black consciousness/Afrocentric movements to unshackle themselves from egocentric politics and what Mwalimu Mphutlane wa Bofelo aptly refers to as 'party nationalism. And that they should find each other and put a sincere effort into developing something that can be referred to as a Black radical agenda.
Since its inception in 1981, the Standard Bank Young Artist Awards (SBYAA) have served as a marker for the artistic work that’s being created, and aspired towards, across the country. This year’s batch of winners prove that the SBYAA still seeks to reward passion, dedication, and a desire to carve out new ways of creating and engaging with art and the world around us.