MAGAZINE
This propitious occasion, was divided twofold. The first session (which was advertised to run from 9am until noon) marked the ninth edition, of the ACIAWC, while the second session marked the sixteenth edition, of the SALA’s.
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Since August 2020, DRUM magazine, perhaps owing to the COVID-19 pandemic and the forthcoming demands of the fourth Industrial Revolution (4IR), transitioned to become South Africa’s weekly fully digital magazine.
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The significance of the 19th of October 1977 ban, may however regrettably be diminished, when chroniclers recall it, under the problematic reference of ‘Black Wednesday’. ‘Black Wednesday’, was coined by the Apartheid regime’s propaganda apparatus
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Explicably Zwelethu was Mr Seroke’s nickname (p.64), inspired from his affiliation to the Pan African Congress (PAC) of Azania’s ‘rallying open palm salute’ Izwe lethu.
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“I have captured my story from my humble beginnings all the way up to the two goals I scored against Tunisia in the AFCON ’96 finals that helped Bafana Bafana bring the cup home, 25 years ago”.
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In Noni Jabavu’s case, the reasons for her marginalization especially in the context of South Africa, remains her imposed classification as part of the ‘black’ race and her gender. Others may problematically add her middle ‘class’ status, almost as similarly criticized with other ‘black’ female South African authors, such as in the case of her contemporary Mrs.
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For starters ‘South Africa’s history, precedes the fifteenth century. Details of the latter will be herein omitted because their superfluous for this paper’s core interest, of founding incidents that led to origins of ‘South Africa’. Conflicts birthed ‘South Africa’, dating back (as paraphrased from South Africa’s then deputy President Thabo Mbeki’s ode, to his predecessor) to the “first moment of black anti-colonial struggle” (Johnson, 2009:123) in the Battle of Salt River on 1st March 1510 .
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It may be argued that both advocates and critics alike of Pan-Africanism, stand to studiously benefit, from this latest offering concerning the theme of Pan-Africanism, which has meticulously been edited by Adekeye Adebajo
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