Can Themba never misses the opportunity ‘to dazzle the white audience with his vital mind’, says Bloke, because ‘he realized that a [white]woman will seek to patronize a man even into bed’.
The Stellenbosch moment provides an image of a gun loaded with pee. A long liquid-like bullet fired on the laptop and study materials of a fellow student.
Zandile’s silent cry at the altar means that a wretched body like him is guilty until proven innocent. His hopelessness represents many damned black bodies in South Africa who are persecuted for being poor.
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