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The Revolutionary Suicide of #JoziToStellenbosch

The Revolutionary Suicide of #JoziToStellenbosch

Stellenbosch is like Greenville, Mississippi in the American South. It is the home of racists, the home of the Broederbond — where the architects of Apartheid; the owners of whatever we consume, from the toothbrushes we buy to the toothpastes we use, the soap we wash with, the cereals we eat in the morning, the clothes we wear and the media we consume, live.

Kube Chosi Kube Hele

Kube Chosi Kube Hele

The best kind of music has no bounds to genre, no adherence to notations and musical guidelines. To recall Bob Marley and later referenced by Dead Prez, “One good thing about music, when it hits you, you feel no pain”. Buhlebendalo Mda’s, Chosi plays in the realm of salvation. An extension of the will of abaphansi

The Land Is Not Ours

The Land Is Not Ours

The main argument is therefore that it is inaccurate to study colonialism as a historical phenomenon but it is a continuous affair that still defines the character of its former colonies. The presence of former colonial powers in the daily economic life of the so-called independent countries is something that continues to elude researchers, commentators and political activists alike.

The System Will Always Be Offline for Blacks

The System Will Always Be Offline for Blacks

We were all standing outside, subject to the scorching heat and all the elements. We were told around 1pm that most of the staff had gone out to lunch, and we should continue being patient – we will eventually get in. An hour passed, and with our complaints now becoming louder and louder, we were informed that “the system is slow today”.

The Stories Only We Can Tell

The Stories Only We Can Tell

The narrative of the Soweto Uprising of June 1976 is powerful. However, South Africa must invest more energy into expanding that narrative, to include histories across the country during that same period. This is not to undermine the Soweto protests, but to draw even more attention to how they inspired revolt throughout South Africa.

Still

Still

STILL references notions of ‘stillness’: from formal still life studies, to a slowing down in quiet contemplation. This exhibition imagines humankind’s resilience and perseverance during an unprecedented time of uncertainty.

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