Frontières is essentially a Pan African perspective on migration and coloniality giving intimate voice to people as individuals, far removed from the images of hundreds of thousands of people, walking, on sea, crossing rivers - the faceless and nameless.

True to its French heritage, the bedrock of Martell's reputation is its profound legacy of craftsmanship and excellence, and the connoisseurs who recognise it. This is the view of Hussain van Roos, Martell Cognac Lifestyle Brand Ambassador for South Africa, who says that World Cognac Day is the perfect occasion to celebrate what makes this special brown spirit different from brandy.

The key question is how could Manuel win on urgency in the High Court when nothing, whatsoever was in crisis or threatened his life?

The reduction of the executive (cabinet) to 28 ministries by President Ramaphosa, is actually a reversion to the Mbeki administration. The Mbeki administration also had 28 ministries. What qualitative impact did this configuration have on the socio-economic reality of the indigenous?

Following her first European headline tour and supporting Joey Bada$$ on his All Amerikkkan Bada$$ tour, Sampa the Great released her second album Birds and The BEE9 with Ninja Tune’s sister label Big Dada. It garnered attention from Gilles Peterson (BBC6), Annie Mac (Radio 1), Clash, The Guardian, Rolling Stone, triple j, and landing coveted feature album spots across community radio stations across the board, it’s no wonder Sampa The Great was awarded with the Australian Music Prize award for 2017.

It has been a while since I heard a song that revives the energy of the late 90s to early 2000s like the one I found at the hub of musical creativity. Udakiwe is gonna be a quintessential classic lounge kwaito hit. This is the kind of a track Magesh or Howza would’ve loved to jump on and kill it! And kill it hard!

J. Bobs is an established artist who is known for his popular sketches and a style that allows him to experiment with material that is not mainstream. His new and exciting multi-disciplinary work will showcase a new cultural wave of interactive theatre that is intended to inspire a new generation of artists.

In 1971 Vusamazulu Credo Mutwa introduced the people of Soweto to uNosilimela. The play was first performed on a stoep, outside Mutwa’s Diepskloof house. Mutwa turned had his matchbox house into a theatre on Saturdays. The children's room was cleared for actors and props.