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“We fight Rhodes because he means so much for oppression, injustice, & moral degradation to South Africa - but if he passed away tomorrow there still remains the terrible fact that something in our society has formed the matrix which has fed, nourished and built up such a man.”
“Lyricism seemed not only permissible but possi-ble. In the late ‘90s I became aware of colour as a particular quality of this place and its light that I wanted to explore. It seemed ‘thin’, yet intense,” wrote Goldblatt in the publication, Regarding In-tersections (Steidl, 2014).
"This is a special live stream project that will be broadcasting the first performance by the band since November 2019. This performance is special simply because the band will be playing remixes of their original songs. This is a never heard before concept and material," says DJ Kenzhero, band member and co-owner of MNM Marketing Solutions.
Born in Illinois to immigrants from Rwanda and Uganda, African and Jazz legacies are always crucial to Somi’s sound. A two-time recipient of The Doris Duke Foundation’s French-American Jazz Exchange Composers’ Grant, she is often referred to as a modern-day Miriam Makeba, with very good reason.
Over the past few months, South Africa’s LGBTIQ+ community has been rocked by a series of brutal hate crimes against its members – from KwaZulu-Natal to Gauteng, from the Eastern Cape to the Western Cape. At least six lives – that we know of – have been snuffed out in cold blood.
He didn’t say a thing on the day of his execution by lethal injection on 20 April 2017. Ledell Lee (51), a Black American from Arkansas, only requested to be given holy communion. No dying words but only symbolism.
The first song I ever heard by Siya Makuzeni was “Out of this world”, the more I immersed myself into her work, the more I rejoiced at how apt the song title was in describing her artistry in general. At two clicks of a button I was lifted off to an auditory Oz world of dexterously looped vocals, adorned with Xhosa nuances, hinting at an eclectic lineage influenced by genres that reach as far as Iceland while perfectly visible through my Jazz tinted spectacles. What else could I expect from a seasoned recipient of the 2016 Standard bank young artist award who was magically chosen by a Trombone in high school?
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