The toxic practice of religion in South Africa represents one of the legacies of set-tler colonialism, and its persistent structural problems that have seen the looting spirit and demons of the ANC leading the destruction of our moral rectitude.

The hand often credited with painting the rainbow nation is long gone. The colours of its work are faded. Yet, FW de Klerk, the man who held the palette of democracy alongside Mandela, is still alive. If it weren’t so heartbreaking, it would be laughable that some were stunned by his recent ‘apartheid wasn’t a crime against humanity’ comments. Even more bizarre was the apology from his foundation.

"This was intended to be an experimental project, but it became the most commercial project we’ve ever done. I’m excited that we are now sharing it with audiences across the continent, and the world. Deciding to stream on Netflix is the first step in collaborating with them especially as we prepare to produce another season of Tjovitjo,”

He has performed extremely well in South African art competitions in recent years: in 2012 he was a finalist in the ABSA L’Atelier top ten awards, and the winner of the prestigious Gerard Sekoto Award, which facilitated his completion of two residencies in 2013: at Atelier le Grand Village (Angouleme, France), and at Cité Internationale des Arts (Paris, France)

Sihlali’s oeuvre challenges us to imagine a history in which large-scale political demonstrations and acts of violence cannot be separated from the way people navigate their domestic rituals and daily lives