Cecil John Rhodes: British Empire Hitman

“Nothing can be changed until it is faced.” is the tagline for Tara Moore’s debut documentary, Legacy: The De-Colonized History of South Africa. So let us face the documentary, which represents a watered-down censured standardised misinformed propaganda stenography of South African history through the lens of rainbow nationist politicians and professionals.

It seems in our common quest for belonging, there is also the compulsion to ostracise and dehumanise others. Much of Nyamnjoh earlier research outputs interrogate this unfortunate dynamic. Similar traits can be discerned in the development of global capitalism.

"We the Purple" centers around the pivotal 1994 elections and the symbolic Purple Rain Protest of 1989. Through a unique blend of visual, auditory, and tactile elements, the exhibition offers a multifaceted exploration of South Africa's lived experiences.

it has remained perplexing to me how mute the mainstream media has been concerning the fateful departure of this gifted local ‘son of the soil.’ To unmute Mocholoko’s griot status, let’s turn to his obituary, which affords his voice expression.

The exhibition is a three-part presentation exploring the concept of "Pula" a Setswana term that refers to 'rain'. It is a metaphor for prosperity, abundance, and exploring the concept of blessings such as through symbolic themes of spirituality & socio-political conversations.

Youth Month in South Africa serves as a stark reminder of the urgent need to address the pressing issues that continue to plague the country's young population. Despite their potential and creativity, many young people in South Africa face staggering unemployment rates, social ills, and economic marginalization.