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“We fight Rhodes because he means so much for oppression, injustice, & moral degradation to South Africa - but if he passed away tomorrow there still remains the terrible fact that something in our society has formed the matrix which has fed, nourished and built up such a man.”
What is Haiti to me as a “black South African”? Probably nothing much. But what is Haiti to me as an Azanian? Haiti evokes memories of Pan-Africanism, the brave struggle against Euro-American slavery and racial domination.
It is a matter of public record, that by then, you had already penned your first classic Mzala: The Stories of Mbulelo Mzamane (1980). It did not escape some of us, that the latter was published with the anti-Apartheid publisher Ravan Press.
"If someone tells me there is light at the end of the tunnel, my instant response is, yes, it is probably [another] train coming towards us." Without a doubt, the BCPA bloc in occupied Azania holds the same sentiments with this pessimistic phrase.
The eight-part thriller, of which new episodes land every Tuesday, tells the story of journalist turned publicist Lucy Khambule (SAFTA nominee Nqobile Nunu Khumalo), who is approached by Napoleon, an imprisoned serial killer who wants her to tell his story.
In the heart of Johannesburg, amidst the cultural landscape of South Africa, a cinematic tribute unfolds, heralding the indomitable spirit of one man whose lens captured the tumultuous essence of an era
Missionaries’ arrival negatively impacted African languages and customs. Focused on ‘civilising’ and converting Africans to Christianity, they saw themselves as bringing enlightenment.
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