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“We fight Rhodes because he means so much for oppression, injustice, & moral degradation to South Africa - but if he passed away tomorrow there still remains the terrible fact that something in our society has formed the matrix which has fed, nourished and built up such a man.”
AmeriKKKa controls the destinies of many 'sovereign' states across the world. This is palpable in, among others, the hegemonic position of the US dollar over the currencies. Have you ever wondered why the US dollar is the dominant currency, globally?
Democracy in 1994 came with renewed hope for the next generation. Millennial Black children began attending better schools than those their parents had been offered through Bantu education. As time will always tell, each generation has its vices. Every other family was gripped by alcoholism in the 1990s and early 2000s, and the 2000s and 2010s ushered in a narcotic subculture largely influenced by the nightlife in PE central
Capitalism/anti-black racism use 'Black celebrities' (especially in the entertainment industry), to promote false notions of Black progress, success or excellence, and to ensure Black young people remain politically unconscious, by promoting a life style that is fuelled by the insatiable urge to accumulate as much bling as possible (not accumulate knowledge of self).
“WE WERE losing cases with Black lawyers failing to submit a simple thing as one page. And then we must use the same services [and] lose cases so that we can be projected as the most disorganised organisation with no direction? To hell with all of you." Who said these words? Kaizer Matanzima? No. Lucas Mangope? No. Dr Mangosuthu Buthelezi? No. Mmusi Maimane? No.
Sfiso Atomza popularly known as singer and songwriter from The Muffinz has released a three-track EP, titled Amulets & Tin-Foil Hats. The Music is a celebration of the Live instrument, bands, and his interpretations of the live groove influences that comprise the South African Live Music scene, which he feels should be re-introduced again as Mbaqanga.
Keeping up with the theme of ubiquity of Cele’s work, his expressions are not limited to the world of texture, colour, line, shape and space. He consciously affirms that his “body of work deals with themes of perception, the politics in identity and the transculturation of a Black man in contemporary South Africa.
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