Cecil John Rhodes: British Empire Hitman

This is not jazz. This is not classical music. This is also “not” either. Its title says what it is – Tefiti – the category of the uncategorised whose known – unknown genre status is that which lies in its becoming, which can be rendered symbolic.

The toxic practice of religion in South Africa represents one of the legacies of set-tler colonialism, and its persistent structural problems that have seen the looting spirit and demons of the ANC leading the destruction of our moral rectitude.

South African skrr skrrs are often ridiculed for their outlandish behaviour when they venture out of their natural habitats. When skrr skrrs visit the more conservative homelands, for example, they are questioned about their behaviour to which a typical response would be “I’m doing it for the culture, fam.

A Black Aesthetic: A View of South African Artists (1970 -1990), curated by Standard Bank Gallery manager and curator Dr. Same Mdluli, features the work of Black artists from various backgrounds, whose style and approach to artmaking are distinctly each of their own.

An astute and perceptive musician who has shared stages with a host of South Africa’s greats, Zuma captured the intimate crowd of lovers and singles gathered at the Café with his stylish delivery of a number of his own compositions, creamed by covers of local and international classics with a sprinkle of Motown’s de luxe.

Poet Makhafula Vilakazi is tired of living in the shadow of Shakespearean poetry. Born Matodzi Ramashia in Chiawelo, Soweto, Makhafula has created a brand of poetry that sees him delivering his rap inspired lyrics in township slang.”